DCU’s Dr. Paula Murphy Examines AI’s Cinematic History
Dublin City University’s Dr. Paula Murphy has published a groundbreaking book, “AI in the Movies,” exploring the portrayal of artificial intelligence in film over the past 70 years. This comprehensive analysis delves into how cinema reflects evolving perceptions and anxieties surrounding AI, offering valuable insights into our cultural relationship with this transformative technology.
Tracing AI’s Evolution on the Silver Screen
Dr. Murphy’s book chronologically examines AI’s cinematic journey, starting from the 1950s when AI research and its filmic representations emerged almost simultaneously. The book highlights how films have mirrored technological advancements, from the rise of the internet and gaming culture influencing 1980s narratives to the impact of ambient intelligence and the Internet of Things on 21st-century portrayals.
Recurring Themes in AI’s Cinematic Narrative
Throughout the decades, certain themes consistently emerge in AI-focused films. “AI in the Movies” identifies recurring motifs such as affective intelligence, complex parent-child relationships with AI entities, and the intriguing trope of the female robot. These themes reveal enduring societal concerns about AI’s potential roles and impact on human relationships.
DCU’s Contribution to Understanding AI’s Cultural Significance
Dr. Murphy’s work at Dublin City University underscores the institution’s commitment to exploring the broader cultural implications of AI. This research contributes significantly to the ongoing dialogue surrounding AI’s place in society, fostering critical examination of its potential benefits and challenges.
AI in the Movies: A Reflection of Societal Hopes and Fears
Professor Andrew McStay, director of the Emotional AI lab at Bangor University, praises “AI in the Movies” for its timely contribution to understanding how AI is imagined, hoped for, and feared. The book serves as a valuable resource for scholars and anyone interested in exploring the cultural narrative surrounding AI.
From Ex Machina to the Present: Deconstructing AI Narratives
Dr. Murphy’s previous work on the portrayal of general artificial intelligence in films like Alex Garland’s “Ex Machina” laid the groundwork for her in-depth analysis in “AI in the Movies.” The book expands upon these themes, examining a broader range of films and providing a deeper understanding of how cinema shapes our perceptions of AI.
Exploring the Future of AI Discourse at Dublin City University
Dublin City University continues to be at the forefront of research and critical analysis of AI’s societal impact. “AI in the Movies” exemplifies DCU’s dedication to fostering informed discussion and exploring the complex relationship between humans and artificial intelligence.
Engage with DCU’s AI Insights
Learn more about Dr. Paula Murphy’s work and Dublin City University’s research on AI’s cultural impact by visiting the university’s website and exploring their resources on artificial intelligence and cultural studies. Consider attending upcoming events or lectures at DCU to further engage with this fascinating field.
Further Exploration of AI in Film and Culture
Dive deeper into the captivating intersection of AI and cinema by exploring related research articles, film analyses, and cultural critiques. Engage with online forums and discussions to share your perspectives and learn from others interested in this rapidly evolving field. Continue the conversation by sharing your thoughts on AI in film in the comments below.
